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  • Audio Interface with Realtime UAD SOLO Core Processing for Mac and Windows. The Apollo Solo Thunderbolt 3 audio interface heritage edition from Universal Audio combines their flagship audio conversion with powerful UAD plug-in processing for a premium recording experience. It features two Unison mic preamps that provide the input impedance, gain staging and circuit behaviors of Neve, API and Universal Audio preamps, allowing you to capture rich, musical recordings with your favorite microphones. The Thunderbolt 3 connection offers blazing-fast speeds and compatibility with the latest Mac computers, providing ample bandwidth for high track counts and zero-latency monitoring. High-Quality Audio Conversion for Flawless Recordings With 24-bit/192kHz audio conversion, the Apollo Solo Heritage Edition delivers pristine sound quality for recording vocals, acoustic instruments, drums and more. Its premium components and thoughtful circuit design result in a transparent, open sound with wide dynamic range and low noise—the hallmarks of a professional interface. Powerful UAD Processing With Real-time Monitoring The Apollo Solo Heritage Edition provides access to UAD's library of over 100 plug-ins for recording and mixing, including emulations of Neve, Pultec, EMT plate reverbs and vintage guitar amps. Its onboard DSP allows you to run multiple plug-ins at once with near-zero latency so you can apply EQ, compression, reverb and other processing as you track through the Apollo Solo Heritage Edition and hear the results in real time. Seamless Integration With LUNA Recording System LUNA is Universal Audio's free music production software designed to work seamlessly with Apollo interfaces like the Apollo Solo Heritage Edition. It offers an intuitive single-window layout, unlimited track count and native support for UAD plug-ins. LUNA also provides exclusive instruments like the Moog Minimoog, additional tools, such as Neve Summing and Studer multitrack tape machines, and accelerated real-time UAD monitoring for lag-free tracking and mixing. Roadworthy Design and Premium Components Despite its small size, the Apollo Solo Heritage Edition is built to withstand the rigors of travel and extended use. Its all-metal chassis protects the premium components inside, which include high-performance converters, a discrete headphone amplifier and a Thunderbolt 3 connection for plug-and-play connectivity with Mac computers. Two front-panel mic preamps, stereo line inputs and monitor outputs provide the I/O necessary for professional recording in a portable interface. Apollo Solo Heritage Edition Thunderbolt 3 Audio Interface Specifications: System Requirements Thunderbolt 3 cable (not included) Internet connection to download software and authorize UAD plug-ins 6 gigabytes available storage Quad Core i7 or better processor recommended For additional compatibility information, visit UA's website Mac Available Thunderbolt 1, 2 or 3 port Thunderbolt 1 and 2 connections require an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (not included) macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave or 10.15 Catalina PC Available Thunderbolt 3 port Windows 10 (64-bit edition)9
  • Are you looking for an upgrade for your studio? Are you looking to get even more detail from your recordings, all while still having a natural sound? Well, there's no need to look any further. The Apollo X8 Thunderbolt 3 Audio Interface is exactly what you need. There's a reason why Apollo has been the industry's top choice for some of the biggest albums in the world and Universal Audio has gracefully conitnued that legacy with the Apollo X8. It's new converters enhance it's recordings in such a great way, allowing you to hear even the most subtle detail. However, nothing sounds hyped. Everything sounds natural, as if there were no converter produced signal at all. Whether you are working on Hip Hop, Country, Rock, or R&B, the Apollo X8 is the perfect upgrade for your studio! Elite-Class A/D and D/A Conversion With thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path. With 133 dB dynamic range andTHD+N of -129 dB, the Apollo x16’s open, natural sound quality bests every interface in its class — regardless of price — and is the perfect starting point for applying UAD processing. Realtime UAD HEXA Core Processing Apollo x16 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW. A Full Suite of Classic Analog Processing Onboard Of course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x16 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, Pultec EQs, and many more. Access the World of UAD Powered Plug-Ins Going beyond the included Realtime Analog Classics Plus plug-ins, Apollo x16 lets you tap into the full UAD Powered Plug-In library of name-brand vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU. With exclusive emulations from SSL, Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,** it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing. Surround Sound Monitoring* and +24dBu Operation With comprehensive surround monitoring support for formats up to 7.1, Apollo x16 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment. Build a Networked Studio System Over Thunderbolt Apollo x16 offers 18 x 20 simultaneous inputs/outputs (16 x 16 analog I/O) and two built-in Thunderbolt 3 ports, which are backwards-compatible with Thunderbolt 1 and 2 Macs via adapter (sold separately). This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows. Universal Audio Apollo X8 Thunderbolt 3 Audio Interface w/ Free Sphere LX Mic More Information Product Name Universal Audio Apollo X8 Thunderbolt 3 Audio Interface w/ Free Sphere LX Mic Brand Universal Audio Condition New MPN APX8 UPC 819937002472 Shipping Option Free Shipping to the Continental U.S. Promotion Bundle Deal
  • A fully featured mixer that can fit in a backpack. The CQ-12T digital mixer from Allen & Heath is built on a 96kHz platform capable of smart processing and rich in connectivity, network, Bluetooth, wireless options, SD and USB. The CQ is super portable and easy to use, but still a fully featured digital mixer, suitable for technical and nontechnical users. This fully featured mixer can fit in a backpack (or soft case) and delivers uncompromised audio quality, smart controls and smart processing tools so you don't need to be an expert engineer to sound amazing. A Preamp Gain Assistant and Feedback Assistant allow for a faster setup, while instrument-based quick inputs get you to a great mix faster than ever. A unique combinations of tactile encoders, custom keys and a responsive touch screen offer multiple mixing interface options. The CQ-12T can be used as an interface, to record live shows or rehearsals, for virtual soundchecks or mix right out of the box. Features 10 mic or line (5 of which combi), plus stereo line input 16x16 USB interface 16x16 SD record/playback Stereo Bluetooth input 7" capacitive touchscreen with associated rotary control 3x custom SoftKeys CQ-12T Digital Mixer With 7" Touchscreen and Bluetooth Connectivity Specifications: XLR mic/line inputs: 5 Combi mic/line inputs: 5 Stereo line inputs (2x TRS): 1 USB stereo inputs: 1 Bluetooth stereo inputs: 1 Total analog input signals: 12 Total individual signals (inc. L+R for stereo): 16 Max. inputs (for processing and routing): 13 Order the CQ-12T digital mixer today.
  • A fully featured mixer that can fit in a backpack. The CQ-18T digital mixer from Allen & Heath is built on a 96kHz platform capable of smart processing and rich in connectivity, network, Bluetooth, wireless options, SD and USB. The CQ is super portable and easy to use, but still a fully featured digital mixer, suitable for technical and nontechnical users. This fully featured mixer can fit in a backpack (or soft case) and delivers uncompromised audio quality, smart controls and smart processing tools so you don't need to be an expert engineer to sound amazing. A ‘Preamp Gain Assistant and Feedback Assistant allow for a faster setup, while instrument-based quick inputs get you to a great mix faster than ever. A unique combinations of tactile encoders, custom keys and a responsive touch screen offer multiple mixing interface options. The CQ-18T can be used as an interface, to record live shows or rehearsals, for virtual soundchecks or mix right out of the box. Features 16 mic or line (8 of which combi), plus stereo line input Built-in 2.4GHz/5GHz Wi-Fi with auto channel 24x22 USB interface 24x22 SD record/playback Stereo Bluetooth input 7” capacitive touchscreen with associated rotary control 3x custom SoftKeys plus 3x custom SoftRotaries 4x FX engines CQ-18T Digital Mixer With 7" Touchscreen, Wi-Fi and Bluetooth Connectivity Specifications: XLR mic/line inputs: 8 Combi mic/line inputs: 8 Stereo line inputs (2x TRS): 1 USB stereo inputs: 1 Bluetooth stereo inputs: 1 Total analog input signals: 18 Total individual signals (inc. L+R for stereo): 22 Max. inputs (for processing and routing): 19 Order the CQ-18T digital mixer today.
  • Reimagine the Middle Ages with hundreds of medieval sounds to twist into modern music. The teenage engineering EP-1320 medieval lets you unlock the magical sounds of the Middle Ages. With hundreds of built-in phrases, instruments and one-shot samples, this electronic instrument time travels you to an era of hurdy-gurdys, lutes, Gregorian chants and thundering drums. Whether you want to compose a sultry serenade or lay down some bubonic beats, the EP-1320 has you covered. Authentic Medieval Sounds The EP-1320 comes loaded with 96MB of genuine medieval sounds and 32MB of sample memory for uploading your own. Play ready-made instruments like the hurdy-gurdy, lute and drums or sequence one-shot Foley effects to build your own compositions. The line input and built-in mic let you instantly capture new sounds to shape into beats or layer into your songs. Built-in Instruments and Songs In addition to one-shots, the EP-1320 features playable medieval instruments—control them using the pressure-sensitive keys or an external MIDI keyboard. In Demus mode, choose from nine built-in medieval songs and jam along with the EP-1320's sounds and instruments. Add punch-in effects to send any crowd into a frenzy. Perform With Creative Ease Four control knobs provide real-time manipulation of the EP-1320's sounds and effects. The redesigned send effects and punch-in effects give you additional ways to personalize your tone. A new arpeggiator takes your performances to the next level. Save your sounds and effects settings to nine user projects for instant recall during live shows or while composing. Portable Design, Endless Possibilities The EP-1320 runs on four AAA batteries (not included) or USB-C power (cable not included) so you can create anywhere inspiration strikes. Its compact and lightweight yet rugged design stands up to life on the road. For nostalgic ambiance or a modern medieval soundtrack, the EP-1320 medieval beat machine opens up a world of musical possibilities. Features Hundreds of medieval sounds and samples Nine built-in demo songs 128MB memory including 96MB ROM sounds Pressure-sensitive keys and multifunctional fader Order the EP-1320 medieval today for authentic medieval sounds.
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    Versatile multi-effects guitar pedal with intuitive controls and comprehensive I/O array. The Fender Tone Master Pro is the first no-compromise multi-effects guitar workstation that features the amazing sound quality that the Tone Master series is known for. Combining a powerfully intuitive interface and comprehensive I/O array, the Tone Master Pro is a great sounding, powerful and easy-to-use guitar processor. Tone Master Pro features over 100 of the world’s most popular amps and effects, including all of the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model and other classics that have all been perfectly replicated using the proprietary Tone Master modeling process. Tone Master Pro’s lightweight, rugged, stage-friendly form factor is as beautiful as it is functional. With a full-color touchscreen, stunning graphics and intuitive user interface, dialing in the perfect tone is easier and more inspired. Create Presets, customize your footswitch assignments and combine them to create Songs and organize into Setlists with ease. Tone Master Pro’s 10 custom-designed footswitch encoders make editing a breeze, giving you instant access to all your presets and parameters, and make adjustments just like you would on the real thing. Connect to the Tone Master Pro Control app via USB for creating, editing and sharing your own presets, or for auditioning and downloading thousands of tones created by Fender’s community of players and artists. Order the Tone Master Pro multi-effects pedal today.
  • The PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. The circuit used in the PRE-73 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. More Information Product Name Golden Age Project Pre-73 Premier Single-Channel Microphone Preamplifier Brand Golden Age Premier Condition New MPN pre73premier UPC 711583509179 Shipping Option Free Shipping to the Continental U.S.
  • KV2 EX12

    $366.00
    Description EX12 - 2-way Active speaker system The EX12 further builds on the success of the EX6 and EX10 by implementing the revolutionary 3" NVPD large format compression driver found in our flagship VHD range of products. This makes for one of the most perfectly balanced and accurate, compact, 2-way active boxes available on the market today. Complete onboard control courtesy of electronic crossovers, phase alignment, equalization and speaker protection are all integrated into the EX12’s amplifier module. Features Professional, Baltic birch construction with wear resistant polymer coating 127dB sustained output, 130dB peak with very high dynamic range and low noise floor 500W of total power with complete on-board speaker management system 450W high efficiency, current enhancing, switching low frequency amplifier Very high quality 50W, low IM distortion, Class AB, high frequency amplifier with transformer balanced output Compact asymmetrical trapezoidal design allows for use in stage monitor or under balcony applications with high pass filter to adjust equalisation and phase response Wide dispersion 80° H x 40° V horn New state of the art 3" (76 mm) Nitride Titanium diaphragm compression driver with complex geometry phase plug and neodymium magnetic structure for higher output, exceptionally low distortion and extended frequency response 12" woofer with revolutionary Active Impedance Control (AIC) voice coil technology and neodymium magnetic motor structure dramatically increases force, lowers distortion and provides increased frequency response linearity Proprietary top and side handle designs for simplified handling and carrying, integrates one M10 hang point, OmniMountTM bracket point and four M6 bracket points Ten additional M10 suspension points for flexible rigging and installation options Top hat for pole mounting applications LED indicators for signal present, limiter, thermal condition and power ON status System Acoustic Performance Max SPL Long-term 127dB Max SPL Peak 133dB -3dB Response 55Hz to 22kHz -10dB Response 45Hz to 30kHz Crossover Point 1.1kHz High Frequency Section Acoustic Design Horn Loaded High Horn Coverage Horizontal / Vertical 80° x 40° Rotatable Horn NO Throat Exit Diameter / Diaphragm Size 1.4" / 3" Diaphragm Material Nitride Titanium Magnet Type Neodymium High Frequency Amplifier Specification Type Class AB Push-Pull Rated Continuous Power 50W Distortion <0.05% Operating Bandwidth 1.1kHz to 30kHz Low Frequency Section Acoustic Design Front Loaded, Bass Reflex Woofer Size / Voice Coil Diameter / Design 12" / 3.0" / Trans Coil Magnet Type Neodymium Diaphragm Material Epoxy Reinforced Cellulose Low Frequency Amplifier Specification Type High efficiency, Current-enhancing switch mode Rated Continuous Power 450W Distortion <0.05% Operating Bandwidth 45Hz to 1.1kHz Signal Input Input Sensitivity 1.0V RMS Input Impedance 20 kΩ Power Requirements Power Connector Neutrik PowerCon® Operating Voltage Range 100 to 120V@60Hz | 205 to 240V@50Hz | 225 to 260V@50Hz Recommended Amperage 6A 115V | 3A 230V | 3A 250V Cabinet Cabinet Material Baltic birch Handles 2 Pole Mount 35 mm Color "Orange peeled" Matt Black or any RAL Physical Dimensions Height 596 mm (23.46") Width 368 mm (14.49") Depth 368 mm (14.49") Weight 29 kg (63.8lbs)
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    MT 48

    $99.00
    12 x 16 USB 2.0 Audio Interface Individually configurable monitoring controller (mono, stereo, surround and immersive audio) Microphone preamplifier with 136 dB(A) dynamic range Preamplification up to 78 dB Built-in DSP for EQ and dynamics processing on each channel as well as reverb effect Touchscreen with intuitive user interface Fully-fledged digital mixing console Dual Output Technology (pre-FX and post-FX recording simultaneously) AES67/RAVENNA compatible Tripod mounting possible, thread on bottom side 2 Mic/Line inputs: Combo XLR/jack 6,3 mm 2 Line inputs: 6.3 mm jack 2 Line outputs: XLR 2 Line outputs: 6.3 mm jack 2 Stereo headphone outputs MIDI adapter input and output: 6.3 mm jack (suitable adapter: Art. 569910 - not included) Ethernet ADAT / SPDIF input and output optical USB-C port for data transfer USB-C connector for external power supply Construction: Desktop Dimensions (W x H x D): 200 x 128 x 40 mm Weight: 1.58 kg Incl. soft case, USB-A and USB-C data cable and external power supply with USB-C connection
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    RCF HDM45-A

    $299.00
    HDM45-A 15" 2,200W Powered Speaker Specifications: Speaker Configuration Active/passive: Active Type: 2-way LF driver: 15″ MF driver: Not applicable HF driver: 1.5″ Power Amplifier class: D Wattage: 2,200W Mixer/preamp: Yes Audio Frequency response: 45Hz–20kHz Coverage pattern: 90° x 60° Max SPL: 133dB Inputs XLR: 1 Outputs XLR: 1 Enclosure Cabinet material: Molded Width: 17.4″ Height: 28.11″ Depth: 15.63″ Weight: 48.5 lb.
  • The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. The most powerful & portable RME Audio USB Interface This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features like a well thought-out Settings dialog and an integrated routing solution realize a quick, comfortable and efficient operation of the Fireface UCX II. The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O. With the SteadyClock FS, the Fireface UCX II features the latest clock and jitter rejection technology from RME. Based on a femtosecond clock, SteadyClock FS reduces the intrinsic jitter when converting from and to analogue over all digital formats to a new all-time low. Full Stand-alone Functionality Control all device states directly from the front panel for convenient, direct access to all features. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings. Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UCX II is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore TotalMix FX can also be controlled via MIDI. 40-Channels ready for your Mobile Recording Rig DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the rear USB port. It allows to record on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. This USB port can alternatively be used for direct connection of RME’s optional ARC USB remote control. The Direct USB Recording converts the Fireface UCX II into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. All input and output channels can be individually chosen for recording and playback. Powerful Applications for Mixing, Monitoring and Measurement included The Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi. DC-Coupled Outputs - CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UCX II’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. Class Compliant Audio The Fireface UCX II operates in two different modes: driver-based USB2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The natively available features will be limited in comparison to those provided by the RME driver for the UCX II. More Information Product Name RME Fireface UCX II 40-channel USB Interface Brand RME Condition New MPN FIREFACEUCXII UPC 4260123363376 Shipping Option Free Shipping to the Continental U.S.
  • Make the world your creative playground. The teenage engineering EP–133 K.O. II is a powerful sampler, sequencer and composer. Record sounds around you, sequence your samples and loops, tweak and automate filter, pitch and more, add stereo effects, compressor and next-generation punch-in effects—go from idea to track faster than ever. Get Ready for Round 2 Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP–133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand-new punch-in 2.0 effects. The EP-133 K.O. II introduces a workflow that lets you go from idea to track faster than ever. It's Pocket Operators gone pro. The Champ Is Here A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted at an incredible value. Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone. Sequence Your Samples and Loops Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II. Tweak and automate things like filter, pitch and more ... add stereo effects, compressor and next-generation punch-in effects. The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using four groups with 12 patterns each. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing. Features Nine projects, each with 80,000 notes Projects contain four groups, each with 99 patterns Patterns have 12 tracks for samples and MIDI Variable pattern length per group (one to 99 bars) 12 mono/six stereo voice polyphony Use groups to mix and match patterns on the fly Record and automate all 12 fader assignments Sequence in free time or quantized with swing Assign any pad to one of 16 MIDI channels Loop mode from OB-4 with length and slide 12 pressure- and velocity-sensitive pads Instantaneous time correction and erase Slice samples live or automatically Stereo/mono sampling at 46.875kHz/16-bit Punch-in 2.0 effects (pressure sensitive) Arrange quickly using the instant commit feature 32-bit float signal chain, 24-bit ADC/DAC Sync I/O for external gear Six built-in send FX and a master compressor Drag-and-drop samples using the sample tool Vintage-style keys with a modern touch, combining tactility with pressure sensitivity Comes in a limited-edition 10" collector's box Built-in mic and speaker MIDI, sync and audio I/O Note: Before using, update the OS and download the manual via the teenage engineering website Order the EP-133 K.O. II sampler composer today.

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