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Make the world your creative playground. The teenage engineering EP–133 K.O. II is a powerful sampler, sequencer and composer. Record sounds around you, sequence your samples and loops, tweak and automate filter, pitch and more, add stereo effects, compressor and next-generation punch-in effects—go from idea to track faster than ever. Get Ready for Round 2 Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP–133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand-new punch-in 2.0 effects. The EP-133 K.O. II introduces a workflow that lets you go from idea to track faster than ever. It's Pocket Operators gone pro. The Champ Is Here A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted at an incredible value. Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone. Sequence Your Samples and Loops Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II. Tweak and automate things like filter, pitch and more ... add stereo effects, compressor and next-generation punch-in effects. The sequencer engine of the K.O. II provides an intuitive, fast way of building up beats and variations using four groups with 12 patterns each. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing. Features Nine projects, each with 80,000 notes Projects contain four groups, each with 99 patterns Patterns have 12 tracks for samples and MIDI Variable pattern length per group (one to 99 bars) 12 mono/six stereo voice polyphony Use groups to mix and match patterns on the fly Record and automate all 12 fader assignments Sequence in free time or quantized with swing Assign any pad to one of 16 MIDI channels Loop mode from OB-4 with length and slide 12 pressure- and velocity-sensitive pads Instantaneous time correction and erase Slice samples live or automatically Stereo/mono sampling at 46.875kHz/16-bit Punch-in 2.0 effects (pressure sensitive) Arrange quickly using the instant commit feature 32-bit float signal chain, 24-bit ADC/DAC Sync I/O for external gear Six built-in send FX and a master compressor Drag-and-drop samples using the sample tool Vintage-style keys with a modern touch, combining tactility with pressure sensitivity Comes in a limited-edition 10" collector's box Built-in mic and speaker MIDI, sync and audio I/O Note: Before using, update the OS and download the manual via the teenage engineering website Order the EP-133 K.O. II sampler composer today.

Reimagine the Middle Ages with hundreds of medieval sounds to twist into modern music. The teenage engineering EP-1320 medieval lets you unlock the magical sounds of the Middle Ages. With hundreds of built-in phrases, instruments and one-shot samples, this electronic instrument time travels you to an era of hurdy-gurdys, lutes, Gregorian chants and thundering drums. Whether you want to compose a sultry serenade or lay down some bubonic beats, the EP-1320 has you covered. Authentic Medieval Sounds The EP-1320 comes loaded with 96MB of genuine medieval sounds and 32MB of sample memory for uploading your own. Play ready-made instruments like the hurdy-gurdy, lute and drums or sequence one-shot Foley effects to build your own compositions. The line input and built-in mic let you instantly capture new sounds to shape into beats or layer into your songs. Built-in Instruments and Songs In addition to one-shots, the EP-1320 features playable medieval instruments—control them using the pressure-sensitive keys or an external MIDI keyboard. In Demus mode, choose from nine built-in medieval songs and jam along with the EP-1320's sounds and instruments. Add punch-in effects to send any crowd into a frenzy. Perform With Creative Ease Four control knobs provide real-time manipulation of the EP-1320's sounds and effects. The redesigned send effects and punch-in effects give you additional ways to personalize your tone. A new arpeggiator takes your performances to the next level. Save your sounds and effects settings to nine user projects for instant recall during live shows or while composing. Portable Design, Endless Possibilities The EP-1320 runs on four AAA batteries (not included) or USB-C power (cable not included) so you can create anywhere inspiration strikes. Its compact and lightweight yet rugged design stands up to life on the road. For nostalgic ambiance or a modern medieval soundtrack, the EP-1320 medieval beat machine opens up a world of musical possibilities. Features Hundreds of medieval sounds and samples Nine built-in demo songs 128MB memory including 96MB ROM sounds Pressure-sensitive keys and multifunctional fader Order the EP-1320 medieval today for authentic medieval sounds.

TT+ TT 10-A ACTIVE TWO-WAY HIGH DEFINITION SPEAKER 130 dB SPL Max 1000W RMS, two-way Class-D amplifier Rotatable 90° x 70° Constant Directivity Horn Quick Fit Bracket Socket SIZE Height 490 mm / 19.29 inches Width 306 mm / 12.05 inches Depth 299 mm / 11.77 inches Weight 11.5 kg / 25.35 lbs SHIPPING INFORMATION Package Height 540 mm / 21.26 inches Package Width 350 mm / 13.78 inches Package Depth 350 mm / 13.78 inches Package Weight 15.6 kg / 34.39 lbs

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. The most powerful & portable RME Audio USB Interface This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features like a well thought-out Settings dialog and an integrated routing solution realize a quick, comfortable and efficient operation of the Fireface UCX II. The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O. With the SteadyClock FS, the Fireface UCX II features the latest clock and jitter rejection technology from RME. Based on a femtosecond clock, SteadyClock FS reduces the intrinsic jitter when converting from and to analogue over all digital formats to a new all-time low. Full Stand-alone Functionality Control all device states directly from the front panel for convenient, direct access to all features. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings. Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UCX II is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore TotalMix FX can also be controlled via MIDI. 40-Channels ready for your Mobile Recording Rig DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the rear USB port. It allows to record on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. This USB port can alternatively be used for direct connection of RME’s optional ARC USB remote control. The Direct USB Recording converts the Fireface UCX II into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. All input and output channels can be individually chosen for recording and playback. Powerful Applications for Mixing, Monitoring and Measurement included The Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi. DC-Coupled Outputs - CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UCX II’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. Class Compliant Audio The Fireface UCX II operates in two different modes: driver-based USB2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The natively available features will be limited in comparison to those provided by the RME driver for the UCX II. More Information Product Name RME Fireface UCX II 40-channel USB Interface Brand RME Condition New MPN FIREFACEUCXII UPC 4260123363376 Shipping Option Free Shipping to the Continental U.S.